About Curative Creations

Our Story, Our Impact

A social enterprise stitched from fabric waste, women's labour, and a refusal to let either go unseen.

In Her Own Words

"I didn't start Curative Creations to build a fashion brand. I started it to create opportunities."

When people ask why I started Curative Creations, they often expect the answer to begin with fashion. It doesn't. It begins with people.

In the years following the COVID-19 pandemic, I witnessed something that deeply disturbed me. Skilled rural artisans — women and craftspeople who had spent years mastering traditional techniques — were struggling to survive. Many had abandoned their craft simply to earn a living. Their skills, passed down through generations, were slowly being forgotten. I knew something had to change.

For over three decades, I had been an educator, mentor and trainer, working extensively with women, particularly soldiers' wives, helping them learn new skills and build confidence. I had always believed that when a woman becomes financially independent, she transforms not only her own life but the lives of her family and community. Curative Creations became my way of bringing these two worlds together — design and livelihood. It was never about creating products alone. It was about creating possibilities.

A question I had quietly carried

At the same time, my own life was entering a new chapter. My son had begun college, my daughter was growing into her own independent world, and for the first time in many years, I found myself with the space to ask a question I had quietly carried within me:

"What if I gave my own dreams a chance?"

My children became my greatest encouragers. They reminded me that I had spent years nurturing the aspirations of others — teaching, mentoring, volunteering — and believed it was finally time to invest in my own passion. They challenged me to discover whether the designer within me still had a place in today's world. Curative Creations became the answer to those questions.

Our very first collection was modest but deeply meaningful. We collaborated with artisans from Barefoot College and Bagru, bringing handcrafted block-printed products, accessories, bird strings and key pouches to our first exhibition, alongside designs I had created over the years — even handmade chocolates, a reflection of my belief that creativity knows no boundaries. The response was overwhelming. People didn't just appreciate the products; they appreciated the stories behind them.

Seeing possibility where others saw waste

Long before sustainability became a global movement, I had developed the habit of seeing possibility where others saw waste. As a child, I rarely let anything be thrown away without wondering, "What else could this become?" Glass bottles, tin cans, old brushes, pieces of fabric — I found joy in giving forgotten objects a new purpose. Years later, as a fashion designer, that instinct evolved into textile upcycling. But I chose to focus on something many people overlooked: not factory waste, not industrial scraps — household fabric waste.

Every home has cupboards filled with sarees no longer worn, dupattas tucked away for years, shirts that hold memories, bedsheets too beautiful to discard. To many, these are old belongings. To us, they are valuable resources. Our work begins with a simple question: "Before buying something new, can we create something meaningful from what you already have?" That question changes the conversation — it encourages people to rediscover what they already own, consume more thoughtfully, and understand that sustainability begins at home.

This upcycling line carries its own name — Punshch — every piece under it a fabric's second chance, reborn instead of discarded.

Not easy, but shared

The journey has not been easy. Curative Creations has been built entirely through determination, perseverance and belief. As a bootstrapped social enterprise, financial constraints have often been our greatest challenge — there have been moments when continuing seemed almost impossible. But whenever I questioned whether to stop, I thought of the women whose lives had become intertwined with this journey: the pride in their eyes after their first product, the excitement of their first income, the confidence of realising their skills had value. Those moments reminded me that Curative Creations was never just my dream. It became our shared purpose.

More than a label

Sustainability ki zimmedari ka bhaar — Curative Creations and Sil Silā

Today, Curative Creations is a movement rooted in circular design, artisan empowerment, women's entrepreneurship and conscious living — reviving traditional crafts, creating dignified livelihoods, building a circular economy, and proving that sustainability is not about sacrifice but about creativity, responsibility and respect.

We don't simply make products. We transform threads into tales.
See How Every Piece Comes to Life →

Impact, In Numbers

What the work adds up to

1000+
kg of fabric diverted from landfill
2022
the year Curative Creations was founded
SDG 5·8·12
gender equality, decent work, responsible consumption

The Unseen Woman

Artisan Stories

Artisan Voice

The hands behind the hem

Every garment passes through the hands of a woman artisan whose skill is rarely credited on a label. This series exists to change that.

Artisan Voice

From village skill to city market

Training, dignity of wage, and craft passed down — not lost — through generations.

Artisan Voice

Awareness in Assam

As a facilitator, Ranjana conducted workshops in the Assam region under the Swabhalambhi Naree 2.0 initiative, bringing awareness of sustainable fashion and upcycling to participants.


Credentials & Recognition

  • Products showcased to the President of India
  • PG Diploma in Fashion Design; M.A. in English
  • UCLA — Career Counseling
  • NSRCEL, IIM Bangalore — Entrepreneurship
  • WeConnect International certification
  • AWWA Award of Excellence
  • Speaker, 71st Miss World Event

Visit Sil Silā

Our boutique in Vasant Kunj, New Delhi, is where the story is best experienced in person — fabric in hand, artisan work on display.

Book an Appointment